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8Dio The New Acoustic Grand Ensembles Vol 2 kontakt 新合奏第二卷

8Dio The New Acoustic Grand Ensembles Vol 2 kontakt 新合奏第二卷

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8Dio The New Acoustic Grand Ensembles Vol 2 kontakt | 28.13GB 新合奏第二卷

New Acoustic Grand Ensembles(声学大合奏)系列由TEC奥斯卡奖和GAN获奖作曲家Troels Folmann和艾美奖提名的作曲家兼编曲Colin O'Malley制作。AGE的声音录制在与我们的CAGE,V8P和Legion系列相同的签名大厅中,这是非常规的。

从第一卷继续,新时代卷。2包含四个新的独特大合奏,包括音乐会竖琴合奏,Cimbalom合奏,Marimba合奏和风铃合奏。它还包括由伟大的环境声音设计师Steve Tavaglione的原始录音衍生的四十个令人惊叹的多采样合成器,以及四十个定制的合成器。
所有的合奏都包含四个基于大厅的麦克风视角,这些视角在策略上可以捕捉到这些替代合奏(Close,Decca,Far,Wide)的性能以及准备好的立体声混音,但是我们并没有就此停止。我们还提供了五个Spot Microphone视角,以帮助找出并隔离每个玩家的独特角色。每个合奏都分为两个补丁:“主要”(包括Close,Decca,Far和Wide位置)和“特别”(Spot),其中包括对应的Spot 1-5。因此,无论您需要完整的合奏声音还是单个乐器的精确细微差别,我们都确保将其全部捕获下来,为您提供使这些乐团栩栩如生的所有选择。

所有的大合奏团都经过深采样,具有多种清晰度。

每个合奏都是专门针对乐器的需求和性质进行记录的。例如,音乐会竖琴合奏团由四名专业竖琴家组成,具有优美的延音,三种不同的断奏风格以及特定的发音,如颤音和和声。它还包含大量立体声和动态Harp FX,包括各种类型的Major,Fast和Harmonic Glissandos,Rapid Stroke,Glissando Waves,Harmonic Chaos和Percussive Slap。如果您还没有听到四次竖琴演奏和声的轻奏声的声音,那您就错过了!

同样,Cimbalom乐团包含各种Staccatos,Strums,Tremolos等。其他大合奏,例如风铃和马林巴合奏,都有针对乐器性质而定制的深采样集。
The New AGE Series的真正美在于您可以自己制作这些组合。带有大量的麦克风,您可以挑选和领跑主唱。这些乐器听起来对每个人都不同,并且可以完美地组合在一起。

Welcome to AGE – Acoustic Grand Ensembles – the most comprehensive collection of alternative ensembles ever created. The New AGE (Acoustic Grand Ensembles) series is produced by Academy Award, TEC and G.A.N.G award-winning composer, Troels Folmann and Emmy nominated composer and orchestrator, Colin O’Malley. Recorded in the same signature hall as our CAGE, V8P and Legion Series, the sound of AGE is proudly unorthodox.

Continuing from the first volume, The New AGE Vol. 2 contains four new unique Grand Ensembles including a Concert Harp Ensemble, Cimbalom Ensemble, Marimba Ensemble, and Wind Chime Ensemble. It also includes forty stunning multi-sampled synths derived from the original recordings by the great ambient sound designer Steve Tavaglione, as well as forty custom synths to accompany the ensembles.
All the ensembles contain four hall based microphone perspectives which have been strategically placed to capture the performance of these alternative ensembles (Close, Decca, Far, Wide) as well as a prepared stereo mix, but we did not stop there. We also included five Spot Microphone perspectives to help bring out and isolate each player’s unique character. Each ensemble is separated into two patches: ‘Main’ which includes the Close, Decca, Far and Wide positions, and ‘Spot’ which includes the Spot counterparts one through five. So whether you need the grand sound of the full ensemble or the precise nuances of the individual instruments, we made sure to capture it all in immense detail to give you all the options you need to make these ensembles come to life.

All the Grand Ensembles are deeply-sampled with a vast range of articulations.

Each ensemble was recorded specially for the needs and nature of the instrument. For example, the Concert Harp Ensemble, featuring four professional harpists, has beautiful sustains, three different styles of staccato, and specific articulations like tremolos, and harmonics. It also contains a massive section of stereo and dynamic Harp FX, including varying types of Major, Fast and Harmonic Glissandos, Rapid Strokes, Glissando Waves, Harmonic Chaos, and Percussive Slaps. If you haven’t heard the sound of four harps playing harmonic glissando waves you are missing out!

Similarly, the Cimbalom Ensemble contains a range of Staccatos, Strums, Tremolos and more. Other Grand Ensembles such as the Wind Chime and Marimba Ensemble have their own deep-sampled set of articulations custom designed for the nature of the instrument.
The real beauty about The New AGE Series is that you can make these ensembles your own. With a large number of Microphones included, you can pick and bring out your lead players. These instruments will sound different for everyone and will fit beautifully in any mix.

There is no manual on “how to record alternative ensembles,” but something magical happens when you take several Concert Master Harp players, place them in a symphonic hall and follow the sound, test new articulations and push instruments to their absolute limits. It is no longer a Harp; it becomes a new instrument all to its own. The same can be said of the Wind Chime or Cimbalom Ensembles. They become something much more than the sum of their parts, and we invite you to experience it all and experiment with us!

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